This gave us the complete toolset we needed for all our texture mapping needs on Spider-Man 3,” remarks Elbert Yen, Texture Paint Lead at Sony Pictures Imageworks. So it easily plugged into the Sony Pictures Imageworks’ production pipeline alongside its proprietary tools and other graphics applications. MAXON’s software is designed to integrate into any pipeline, and facilitate a flexible work environment that accommodates an artist’s workflow and creativity.
Concurrently, the equally talented artists in the matte department were busy using CINEMA 4D to create realistic digital environments and repaint sky elements in numerous scenes as diverse as the storm in the bell-tower sequence to the richly colored sunrise sky featured at the culmination of the climactic battle sequence. The talented texture artists at Sony Pictures Imageworks used MAXON’s products to create detailed textures on objects as minute as a grain of sand and as extensive as multifaceted cityscapes. MAXON’s BodyPaint 3D and CINEMA 4D were among the 3D texturing and digital matte environment software used by Imageworks on Spider-Man 3. For this record-smashing blockbuster, Sony Pictures Imageworks utilized CINEMA 4D and BodyPaint 3D as part of their production pipeline to bring the third part of the Spider-Man franchise to the big screen. MAXON’s software played an important role in the making of Spider-Man™ 3 according to visual effects powerhouse Sony Pictures Imageworks, Inc. Sony Picture Imageworks used BodyPaint 3D and CINEMA 4D as exclusive 3D texturing and digital matte environment software
0 kommentar(er)
